ANTONIETA VILLAMIL, international award winning bilingual poet and writer, focuses her writing on the forgotten ones, and honors them with a persistence that compels us to hear their voices. ANTONIETA VILLAMIL es poeta bilingüe, centra su escritura en los olvidados y los dignifica con una persistencia que nos obliga a escuchar sus voces. El Instituto Cervantes de Nueva York y Literacy Now le otorgan el 14 Premio Internacional Libro Latino de Poesía en Estados Unidos en 2012.

ANTONIETA VILLAMIL, international award winning bilingual poet and writer, focuses her writing on the forgotten ones, and honors them with a persistence that compels us to hear their voices. ANTONIETA VILLAMIL es poeta bilingüe, centra su escritura en los olvidados y los dignifica con una persistencia que nos obliga a escuchar sus voces. El Instituto Cervantes de Nueva York y Literacy Now le otorgan el 14 Premio Internacional Libro Latino de Poesía en Estados Unidos en 2012.

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Instituto Cervantes Festival de Poesía de París 2009

Instituto Cervantes Festival de Poesía de París 2009
Qué podría gritar la garganta sin boca o andar el amputado pie sin pierna sin cuerpo y qué podría caminar el pedazo de zapato inevitable en el jirón de piel hecho polvo bajo el neo-fuego que inmortal reincide... Fragmento del poema NueveOnceDosmilUno, Copyright (c) Antonieta Villamil 2011.

Festival de Poesía de Medellín 2003

Festival de Poesía de Medellín 2003
De pronto sólo un paso y pudiera ser año cero el primero o el último y la gota de petróleo nerviosa se bebe la tierra a sed mortal de condenados... De pronto te pesan de hielo las pestañas Desconoces el rostro de siempre y el rostro de siempre se resuelve con el de la multitud que sueña días ahogados en verdes rectángulos del papel que todo lo compra en el país de las virulentas maravillas... Fragmento del libro Una herida por otra. Copyright (c) Antonieta Villamil 2011.

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9/25/2018

Blase Bonpane Reviews Vagabond’s “EXTREME: An Anthology for Social and Environmental Justice”



Review by Blase Bonpane. September 20 2018.

MARK LIPMAN could have been executed for his “comoedia” (Latin). Ecclesiastical mores did not permit games to be played with heaven, hell or purgatory. He made his point with great risk, Michelangelo could have been eliminated for his painting of eminent church people in hell.

We live in a time of EXTREME and most of the extreme is negative. This negativity is a dark reflection on wrong answers. To ignore this raging truth is to live in a state of denial. Fear and hate are the long standing blanket over the aching truth. Artists and risk walk together. Dante. 

What mass media primarily offers is not “fake news”, but rather an absence of critically important news. News editors have the power to ignore the rape of Yemen or thirty million mostly non-combatants who have died in unnecessary, illegal and morally repugnant wars since the end of World War II. I have actually heard “expert pundits” refer to this as a long period of peace since the greatest of all wars.

The artists are still with us. Their risk taking is still with us. Thanks to Mark Lipman for pulling together such people. As political psychotics play with biocide to maintain a failed economic system together with 19th century nationalism, we can be grateful for the poetry of truth tellers. 

War is the ugliest sin on earth. Watching the planet rot out as if we can do nothing to save it will not be solved by, “have a nice day.”

Thanks to Henry Howard for SEA OF OIL, SHIP OF FOOLS. Ignoring a million people sleeping on the streets of the richest nation in history makes Aristotle turn many times in his grave. Distributive justice has been in the plans of intelligent minds for centuries and our pathetic Ivy League Universities still speak of maximizing profit rather than maximizing humanity. No, the Bantustans of Israel will not be ignored by anyone whose mind is in gear. Immigrants are roving the earth looking for a home. The Universal Declaration of Human Rights offers help for these people. International law is ignored by the world’s greatest war machine.
And in this bouquet of truth-telling we do not find cynicism or despair, we find what Antonio Gramsci did as he lived in the hell of Italian Fascism. His intellect made it clear that he was living in such a time and he had “a pessimism of the intellect” which was honesty. HOWEVER, both Gramsci and Mark Lipman are entirely hopeful. As Gramsci, Lipman pulls together those who admit the negativity in observing the world with their intellects AND they are comforted by an optimism of the will. Together we can change it.
I highly recommend, EXTREME; an anthology for social and environmental justice. We shall overcome!
Visit http://www.vagabondbooks.net/ to order your copy of Extreme today.

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